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Written with the intensity of early Marguerite Duras and Ferrante’s Days of Abandonment, Savage Tongues is an autobiographical novel that weaves personal and political history, exploring questions of violence, post-colonial identity, and inter-faith friendship.
At seventeen, Arezu, an Iranian American teenager, travels to Andalusia in southern Spain—a historically Islamic and Sephardic space—to reconnect with her estranged father. Instead, she is left in the care of Omar, a forty-year-old Lebanese man, and drawn into a charged and catastrophic relationship that shatters her just at the cusp of adulthood.
Two decades later, Arezu inherits the same apartment where her life was irrevocably altered. She returns with her best friend, Ellie, a Jewish scholar devoted to the Palestinian cause, to excavate the place together. As the two push through visions of the brutal past and symbols of future cruelty, asking what it means to find agency in the face of violence, the lush landscapes of Andalucia and Israel/Palestine echo each other like ghostly apparitions, haunting one another across time and memory.
Equal parts Shirley Jackson, Rachel Cusk, and Clarice Lispector, Savage Tongues re-writes the narratives we assign to love, power, and memory, the profound intimacy born of the deepest pain, and the life-long search for healing.